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Presonus studio 2 6 usb audio interface
Presonus studio 2 6 usb audio interface




presonus studio 2 6 usb audio interface

Mixers (including the ARs) have their own internal routing from inputs to outputs, so no need for tricks.Īs for routing a separate signal from computer to mixer headphones: that will cost you channels 15/16 in your mix. (The trick used is to have the driver route the inputs back to the outputs, bypassing any other software running on the computer). Zero latency is relevant for audio interfaces where the only way to get a signal from input to output is through the computer attached. This affects USB volume within the entire mix, and the headphones are playing anything coming into the mixer as soon as it arrives - no latency waiting for a round trip through the computer. The 16/17 strip is the USB return and it controls the levels coming in from USB (or Bluetooth). One thing I haven't figured out yet is how to light up the headphone jack in Studio One as a separate output from the mains bus. When you plug headphones into the headphone jack, anything routing through the mixer is heared in real-time. I haven't pushed the mixer into 100+ tracks of effects processef audio, but it has been really responsive for my needs so far.Īvaktar wrote patrickwickline wroteI'd also like to use the AR16 as my main audio interface.ĭoes the AR16 support zero latency monitoring? I don't see the "Z" in the UI so I assume it doesn't, but can someone from PreSonus confirm? If not I guess I need to use something else for overdubs. Of course, when you are doing heavy electronic music production and have a ton of plugins running, you often need to start freezing tracks or exporting mixdowns to other tracks anyway but that's a CPU power limitation and not the audio interface. To avoid cracking and popping during music production over USB devices that need to route through the computer first, through Studio One, into the AR16 USB channel strip and out to the speakers, I'll turn off heavy plugins like iZotope Ozone or any heavy pulse wave reverb plugins that are on the master bus. When I record with my MIDI interfaces, I switch the block size to 128 to get low latency. The USB return allows 4 incoming channels from the DAW, though I'm just usually returning the processed mains. The mixer has a ton of processing power for each channel strip. The thing is that anything recorded directly into the AR16 (like layering another guitar, bass, or vocal) is processed in 0 latency real time on the mixer, so you don't need it to go to Studio one and return before hearing it. When I'm mixing audio, I set my block size to 1024 or 2048 and can pile on the effects. The AR16 has been a very capable audio interface to date via the USB 2.0 interface.

presonus studio 2 6 usb audio interface presonus studio 2 6 usb audio interface

My previous DAW interface was a MOTU Ultralite Mk2 that died. I have been recording and mixing through my AR16 for about a month now, as well as recording live band rehearsals and jam sessions.






Presonus studio 2 6 usb audio interface